J. Paye Talks All Things Love & Hip Hop Atlanta
By now, you can probably tell that I am a reality TV junkie. When you have a job that requires intense use of your brain cells, mindless television is a welcomed distraction.
It’s been awhile since I talked about Love & Hip. A lot of the blogs and media outlets have commented on how Love & Hip Hop Atlanta is ratchet TV and portrays negative stereotypes of the black community.
I am not going to comment on all that, but the show does depict many different legal issues. Like, when Erica and Scrappy called off their engagement. Did Erica have a legal obligation to give back the ring? Or can Rashida use footage of Kurt cheating, their arguments over finances and Kurt suggesting she have an abortion as proof of irreconcilable differences in a divorce proceeding. And also, what recourse does DJ’s Baby Dre and Traci Steel have against their shoe store business partner, who ran away with their money. These are all interesting questions and may be discussed in another blog post.
What I really want to talk about is the whole Stevie J and Josline fiasco. First off, Josline should have read the talent management and producer agreement before signing it. What really baffles me is why she would let Stevie J hold on to the signed contract without making a copy for herself. I guess these things happen when business and pleasure are mixed.
Josline is not happy with the way Stevie J has been managing her career. She wants out of the contract she signed with him. According to Stevie J, Josline is signed to him for life. (Although he did say once this season that, maybe Josline is signed to him for 6 years).
This is a common issue I see in my law practice. The first step is to see if the manager, producer, record label, etc. will voluntarily release you from the contract. It’s good to get a written release. If this fails, see if one of the contract defenses duress, impossibility, or the contract is unconscionable applies.
In Josline’s situation there are facts to argue that the management contract is unconscionable. Josline had very limited experience in the music industry. Stevie J is a seasoned industry executive. He created hit singles for Mariah Carey, P. Diddy and Eve. He is also older. Josline could argue that Stevie J took advantage of her inexperience. It’s very likely a court would find a contract indenturing Josline to Stevie for life unconscionable. Unless, the lifelong commitment was a marriage. It looks like Josline is really pushing to get married to Stevie.
The last option is to wait out the contract term. Many artists often find themselves in this position, when there has been a breakdown in the relationship with the label or management.
Yvette in Brief
We strive to give two viewpoints in this blog. My administrative assistant, Yvette always has dead on insight and she commented on the last Love & Hip Hop blog post. She feels Kurt is tired of being married and just wants to be a free man. He has been with Rashida since they were 18. Yvette believes, Kurt has been hostile to Rashida in order to get a free pass to cheat, which is something he’s had on his mind for awhile. You noticed he went in the room with not one but two girls. Yvette’s advice is for Rashida to leave Kurt, but realizes its easy for her to say because Kurt is not her husband.
As for Stevie J and Mimi…Yvette said, Stevie was quick to accept the car keys back from Mimi. He did not even offer them back to her probably because it was time for him to return his “rental.” I can’t believe Yvette thinks Stevie gave Mimi a rental car as a gift.
That’s it for all things Love & Hip Hop Atlanta Season 2.